Inspired by shell forms I developed knitted structures in my
garments using various techniques on both the domestic and
fine gauge Dubied knitting machines. I added colour and
texture to compliment the knitting using decorative techniques
such as hand dyeing, painting, embellishment and hand
stitching my own handmade silk trims.

Inspired by future forecasting I have adapted and developed
my work based on two key forecasted trends which were
chubby and compressed. I have created these knitted samples
using various yarn types and knitting techniques to produce
fabrics that have these chubby and compressed forecasted
qualities.

As part of a sustainability project I created a “no stains, no snags,
no tears” garment that protects Knit forever. Encapsulating my
knitted fabric, created on a 10g Dubied, between two pieces of
plastic that then form a contemporary dress.

I am exploring metal material into knitted textile. Being inspired
from natural fruits, flowers and plants, I use coloured metal wires
to create three-dimensional knitted objects and join them
together to create a one-off handcrafted piece, extremely
colourful, playful, exaggerative chandelier interior product.

Through the exploration of internal intricacies of the Human
anatomy, structures and forms are brought to the surface to
present an alternative view of contemporary knitwear as a
sculptural language. My collection uses minimalist silhouettes as
a blank canvas for structures and textures to evolve upon.
Representing how our outer self conceals inner complexities; to
inspire and provoke contemplation.

My work is knitted sculptures, based on my inspiration, bacteria.
The many different shapes and forms of bacteria is what drove
me towards making my sculptures. I have also been influenced
by artists/designers such as Joan Miro and Alexander Calder. This
project was mainly circular knit as I found the shape and form of
my work more interesting and relevant to my research this way.

My inspiration for this collection was work by the artist Patrick
Caufield. I translated his Floral images into metallic knit. Using
strong voluminous silhouette combined with colours of glittering
stars of the night, golden dusk, silvery shine and shimmery black
and brown to give this collection dramatic feel.

My original inspiration came from creating vivid, beautiful
drawings of birds and three dimensional experiments in
cardboard, the interpretation of which led to unique sculptural
fabrics. This highly flamboyant collection centres on the showgirl
being a lavish bird of paradise. Intense flashes of colour shine
through a sultry darkness highlighting volume and intricacy of
plumage.

The inspiration these pieces came from the crystal formations I
had seen on the BBC programme Planet Earth.
I was captivated by the colours and the transparency of these
crystals; Using the monofilament as my core material, I added
wire, mohair and a variety of coloured polyester to emulate the
crystal formations

This kinetic sculptural work uses fluid flow to highlight the process
of knitting: liquid and air are pumped through knitted PVC
tubing, animating each stitch and creating a dynamic work. My
fascination with process and science are demonstrated and
knitting is given a level of movement

When looking at neglected buildings, abandoned objects and
rusty railings the colours, surface texture and patterns are
beautiful. Bright oranges and metallic silvers along side dark,
burgundy, rusty shades creates a desirable colour palette. All of
the knitted pieces have been inspired by this theme ’ Beautiful
Decay’.

The clasp bags were created from Jaquard fabrics with my own
original design. The fabric is then washed to create a felting
process. The overall design of the bags as well as my other
fabrics was inspired by the Victorian era and the extensive use of
lace at the time.

My collection comprises a range of fabric weights with
combinations of yarn and machine gauge occurring often within
a single sample. The main technique used is inlay, which has
allowed me to capture qualities of line and shape from my initial
research. My textiles are fashion pieces and I consider both the
fashion and textile element simultaneously, with the textile
dictating garment shape and style.

An innovative collection of fashion accessories using the theme
of science fiction space. I use a variety of experimental
techniques combined with knitting, felting and dying to produce
unusual designs and textural structures creating fun and playful
pieces. My work also has a sensory effect as you cannot resist
touching it.

My work is based around the idea of mixing the natural with the
unnatural. I take the bulk of my inspiration from nature, looking
at trees, animals and insects and juxtaposing them with the
synthetic and surreal. This particular piece of work is based
around the woods in winter. Delicate spiders webs with the
morning due glistening across them reflect in my work. I am very
interested in fashion and fashion design but my work is more art
based with a sculptural side to it.'

I developed a collection of garments, which explore
unconventional methods of constructing knit. For pattern, shape
and form, I was inspired by the beautifully sculptured
architecture of Marrakesh, in Morocco. The 'Flapper girl' period
of the twenties has also influenced the overall look of my
garments.

Inspired by Edith Piaf and the act of mourning, Memento Mori. I
drew from Edith's tragic life, the contrast between her street roots
vs. her new found stardom. I mixed materials that would not
necessarily be linked together. Chenille, known as a kitsch 80's
yarn, against more glamorous yarn, lurex and silk. From
Memento Mori, I looked at the protection that you seek, the
cocoon you would like to build around yourself, and used wire to
produce a 3D shell.

“Exaggeration, contradiction, surreal and surprise,
Fairytale v reality, truth, twist and lies”

 

 

 

My collection, entitled Urban Fairytales is based on the
contradiction of modern life against a love of nature. My
interpretation was to exaggerate the elements of both sides as
not to comprise for the desire of either.

For this collection I have used my abilities to mix machine knits
with hand knits, crochet techniques and fabrics to create an
installation piece and garment fronts that take inspiration from a
traditional tea party setting, where I have added my own twist
by fusing the un-expected with the expected.

The playful aesthetics of the 1960s and striking imagery of African
craftwork were the influences that inspired my choice of
hand-techniques, colour application and pattern construction
within this body of work. The collection of garments I have
produced are constructed from combinations of textiles such as
felt and thick crochet cotton, to create a collection of pieces
exploring concepts of decoration and adornment.

This collection of interior dining fabrics has been inspired by the
Cornish coastline and its history of smuggling. Patterns have
been derived from traditional fair-isles and fisher ganseys and sit
alongside sketches of coastal towns. These tactile fabrics are
designed to become treasured objects by creating an
emotional attachment and taking on a unique narrative from
their owner.

My fascination with the constant movement in nature, in
particular, my theme of tropical birds has played a major
influence in these pieces. I express my creativeness through
colour texture and form.

The collection explores the limits of technology when challenged
with non-traditional materials, whilst creating structure and depth
to the pieces.

A young and sexy knitwear collection inspired by loose
silhouettes with fullness. A medley of colours of dark navy, parrot
green, smoky grape, ochre and wheat. Layering of delicate
stripes used with openwork structures, to create a shadowing
effect.

The whole collection is for outdoor use. I took inspiration from
vintage finds and textiles; I was intrigued by an old plastic doily,
old postcards and toffee tins. I like to mix modern materials such
as latex and plastic with traditional knit; which combined makes
tactile but practical fabrics.

Mediating between technology, craft and the natural world, my
work utilises every aspect of the knitted design to shape and
construct the garments. Using the inherent characteristics of
lambs wool and viscose, I have developed techniques that
create a tactile appeal through innovative manipulation of my
technology-led fabrics. These, in turn, emulate the fluidity,
movement and texture of coral formations.

Elegance and femininity dominate this knitwear collection. Dusty
pink, ivory, bitter chocolate and black inspire a mood influenced
from sepia imagery, creating this vintage feel. Ripple knit effects,
knitted pleats, velvet flowers and gathered chiffon create a look
that is sexy, beautiful and pure. A collection for a true lady.

Launching her range of modular seating units that recycle used
car tyres with a revolutionary knitted second skin, graduate
textile designer Samantha Williams has now successfully
combined her design instincts with her love of motor sport. The
high relief fabric is engineered on advanced industrial
machinery to fit the profile of the tyres in rugged Shetland wool
yarn.